September 1, 2014

Downbeat Magazine Interview

Came across two interviews from Downbeat magazine that you might find interesting. The two titles are:

Dreamer


Making magic



Arpeggio Exercise by Cameron Mizell

Cameron Mizell shared a "Lick of the Week" post on his site titled "Kurt Rosenwinkel Arpeggio Exercise"

Cameron writes:
This is a handy arpeggio when you need to get from a low note way up the neck to a high note. I originally learned it, along with the exercise demonstrated here, while listening to Kurt Rosenwinkel warm up before giving a masterclass, over ten years ago!

You can find the post here: www.cameronmizell.com/lessons/lick-of-the-week-38-kurt-rosenwinkel-arpeggio-exercise

We're back!

HOORAY!

We are finally back online after many months of being banned by Google because of a malware infection.

As you might remember there was talk about leaving Blogger, but that plan has been postponed. These a (much needed) rewrite of the transcription page in the making - more about that later.

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October 11, 2013

These Foolish Things - transcription

I've transcribed almost 2.30 minutes of Kurt Rosenwinkel spreading his magic over this beautiful old tune. The recording is from a clinic at NGW in August 2006.

I haven't written any chord names, because I couldn't decide what to write. The changes are a bit different than the ones in the realbook. So I had a few options here (let me know what you think in the comments below); I could have written the original changes from the realbook, or the chords that Kurt implies OR the chords that he's actually playing (which might be a substitution).


In a forum post from 2012 Kurt Rosenwinkel himself comments on his use of passing chords.

Arewolfe: In regards to passing chords, I transcribed some of “These Foolish Things” from that clinic. It seemed like approaching a chord from a half step above, the passing chord was usually a dominant. And approaching from a half step below the passing chord was a diminished chord. Is that the idea? 
Kurtisrosenwinkel: yes, thats the idea. check out using a dominant b5 chord from a half step below- its an expression of V7 whole tone, with nice deceptive root motion.

I'm posting this although it still isn't complete.Therefore I've included the 'Finale' file if anyone would want to continue the transcription or just simply correct mistakes.

- Download transcription as .PDF

- Download as .MP3

- Finale file as .MUS